This is not to be confused with the Final Fantasy III
originally released for the Super NES in North America, which was called Final
Fantasy VI in Japan and under that when the average gamer became worldlier.
This was the very last of the original entries of the series that North
Americans got when Nintendo's DS portable system was possible, with upgrades on
all front, graphically and musically. Nobuo Uematsu’s soundtrack for the third
entry is definitely one of his best, with some new tracks such as an arrangement
serving as the accompaniment to the DS remake’s opening FMV.
Most dungeons have their own unique pieces, such as the first’s “Into the Crystal Cave,” which has a very mysterious quality that definitely fits, and the overworld theme, “Eternal Wind,” which party composes the FMV theme, is definitely one of the soundtrack’s high points. Rounding out the soundtrack is a remix of “Eternal Wind” combining elements from the digitized Famicom soundtrack’s version and the DS remake’s incarnation, not to mention a rock-and-roll version of the final boss theme. Definitely recommended listening.
Most dungeons have their own unique pieces, such as the first’s “Into the Crystal Cave,” which has a very mysterious quality that definitely fits, and the overworld theme, “Eternal Wind,” which party composes the FMV theme, is definitely one of the soundtrack’s high points. Rounding out the soundtrack is a remix of “Eternal Wind” combining elements from the digitized Famicom soundtrack’s version and the DS remake’s incarnation, not to mention a rock-and-roll version of the final boss theme. Definitely recommended listening.
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