INTRODUCTION
In the fourth entry of Brent
LeVasseur's science fiction saga, Aoléon, Gilbert, and their companions flee
the Martian Megalopolis, with the Luminon and Royal Paladin Guard in pursuit as
they hope to stop the Martian resistance movement. The cover art features many
cows on the ground and in the air, the latter in a flying saucer's trajectory,
with the foremost bovine having its mouth open in shock, though it's lower jaw
looks somewhat skeletal, loose, and misrepresentative of anima interiors,
typically red.
HELIOS
Akin to the Lord of the
Rings trilogy, the saga's fourth entry continues section numbering from its
predecessors, with this being the thirteenth chapter of the series, beginning
at a secret Martian base, where Phobos is in captivity and interacts with
another inmate. The action moves to the Martian Space Academy, where Aoléon and
Gilbert rendezvous with Bizwat, and the Luminon speaks about the potential
threat posed by Earth's inhabitants. The scene changes to the Lower Feeb
District, where Bizwat visits a scrap yard, where he offers a fellow Martian
his velocipod in exchange for a soldierbot victorious in a competition.
CERBERUS
The following chapter opens
with an illustration depicting the Luminon interacting with a Martian in a
four-legged robot, others in the background with forcefields, another entity
that appears skeletal hovering above. The action returns to the secret Martian
base, where obese scientist Cerberus assembles a Martian invasion fleet
consistent of soldierbots. The chapter's second illustration depicts another
view of the first artwork, with the Luminon among the shielded robots. The art
immediately appearing afterward shoes a close-up of the scene, albeit with a
Martian youngling instead. The Luminon arrives to inspect the forces, with
Cerberus promising that they will be read in time for the forthcoming invasion.
The next image shows the Luminon close-up with a menacing expression, the
forces behind him, and Cerberus proceeds to test the drones, the subsequent art
showing the diminutive workers caught among the chaos.
ILLEGAL ALIENS
This chapter takes the story
back to Nebraska on Earth, which Luminon's spies are inspecting as a potential
focal point for their forthcoming assault. Meanwhile, a pair of alien spies
masquerading as Quakers hitchhike to New York City and attempt to steal milk
from a convenience store. The illustration indicating the transition of scenery
to the White House depicts many top officials in the situation room, one
looking like a bald Richard Nixon having a newspaper in hand. Backstory on
alien research follows, with some humorous banter among the officials.
WATCHERS
The following chapter takes
readers back to Mars at the Luminon's palace, where he receives news of a
character thought deceased being alive. The action moves to the Lower Feeb
District, where Bizwat receives summons to a debriefing involving missing
characters. The section ultimately returns to Earth at the Capitol building,
where Congress debates a bill to deal with illegal extraterrestrials, the
lisping Speaker of the House heading the discussion.
INVASION EARTH
Chapter Seventeen opens with
the very artwork that graces the book's cover, the action beginning in an alien
mothership above Earth, their invasion ready to commence. The section moves to
Gilbert's family's farmhouse, as they become among the first witnesses to the
assault. The. The action shifts to the Johnson clan's home, an illustration
depicting Farmer Johnson, clad in snorkeling gear, attempting to deal with a
groundhog with an alien robot behind. The following art depicts him captured by
the robot as he unintentionally sprays a farmfield with fire from his
flamethrower.
DESERT KĂťRIOS
This chapter opens at an
intergalactic spaceport in the Martian Megalopolis, where the protagonists
encounter resistance, and they flee the city, the section's first art showing
Aoléon and Gilbert in space suits floating above the Martian landscape. The
next piece shoes the two in a Martian desert, where they domesticate Martian
dinosaurs, one of which Aoléon rides in the next art, the piece afterward
showing Gilbert alongside her riding his own. The following illustration shows
another view of them riding, night eventually coming. The action then takes
readers to the Simud Vallis on Mars, through which the heroes continue and
ultimately make their way to the Ares Vallis, the subsection's initial
illustration showing them wandering.
The next art depicts the
chief characters encountering a probe sent from Earth, which Gilbert uses to
communicate a message referencing the classic video game Zero Wing. Towards the
section's end is a smaller piece depicting the purple stalk-eyed Zoot. The
events shift to the ancient Lyraen city ruins, the opening illustration showing
a Martian chasm, the next depicting the heroes at its bottom, where they seek
Kýrios. After a long dialogue comes a subsequent piece showing a spherical map
indicating the path the main characters took until that point in the story. The
action ultimately moves to Kýrios' home, where the characters discuss where to
find the secret based referenced earlier, and where they home their psionic
abilities, the chapter finally ending.
PHOBOS INTERROGATED
The nineteenth chapter opens
at the secret Martian base, with a bit of expository backstory concerning the
rituals of the Draconian warrior clans, following which is the titular
interrogation of Aoléon's father as to his daughter and Gilbert's whereabouts.
The action then returns to Aoléon and her companions, who experience a Martian
sandstorm, the chapter's first illustration showing their attempts to outrun
it. Following this is interesting backstory on how the Martian oceans
disappeared, and an encounter with the Luminon's forces, two illustrations
close together depicting how the heroes deal with the skirmish, concluding with
a third piece showing a dusty mushroom cloud, the story ultimately ending.
CONCLUSION
A glossary after the main
text makes sense of the book's diverse terminology that may be lost to younger
readers, who wouldn't find it to be easy to jump back and fourth between the
dictionary and the main text, although the fourth novella in Aoléon's saga is
very enjoyable, with the illustrations adding well to the story in their
depiction of its various events. The rare if mildly obscure popular culture
reference is also sure to appeal to older readers, who will find just as much
to celebrate in this entry as the younger audiences for whom the author
intended the story.